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But as he used his final hours of freedom to tell his story to The Associated Press, Irizarry says he won't go down for this alone, accusing some long-trusted DEA colleagues of joining him in skimming millions of dollars from drug money laundering stings to fund a decade's worth of luxury overseas travel, fine dining, top seats at sporting events and frat house-style debauchery.
\"We had free access to do whatever we wanted,\" the 48-year-old Irizarry told the AP in a series of interviews before beginning a 12-year federal prison sentence. \"We would generate money pick-ups in places we wanted to go. And once we got there it was about drinking and girls.\"
The federal judge in Tampa who sentenced Irizarry last year seemed to agree, saying other agents corrupted by the \"allure of easy money\" need to be investigated. \"This has to stop,\" Judge Charlene Honeywell told prosecutors, adding Irizarry was \"the one who got caught but it is apparent to this court that there are others.\"
Any businesses that intend to infringe on religious liberty, freedom of speech or any other Constitutional right, should have their federal and state contracts automatically revoked. And why is this not happening Perhaps, in part, due to the issue of market domination. Monopolies destroy competition in order to control and impose the prices for their services. Forcing customers to quit their religious liberty and freedom of expression is inflicting a price which no decent humans can afford.
Bush made the objectifying comment while standing in front of a large wall screen plastered with images of female celebrities dressed in provocative Halloween garb. Featured at the center was Jenner, the second-youngest of the famed Kardashian/Jenner sisters, dressed up as Jessie, the free-spirited cowgirl from the immensely popular Pixar franchise.
Bush, of course, has been down this road before. Just weeks before the 2016 presidential election, The Washington Post released damning 2005 tapes of Bush and Donald Trump in an obscene and sexually charged conversation.
Home Site Map Flashpoints MenuMae West1926In the mid-1920s, after a career in vaudeville, 30-year-old actress/comedienne Mae West endeavors to make herself a star on Broadway. She co-writes a series of comedy-melodramas shaped for the salty and free-spirited persona that becomes her trademark. The plays thrust her onto the front pages, if not to the heights of critical acclaim. Her bawdy 1926 play Sex, the story of a Montreal prostitute, fills the house for a year before New York's deputy police commissioner raids West and her company, charging them with lewdness and the corrupting of youth. The city's real aim is to derail the Broadway arrival of West's gay-themed play, The Drag, which is trying out in New Jersey. West loses the Sex case and spends ten days in jail, but emerges undaunted. Soon afterward, she achieves her first runaway theatrical smash in Diamond Lil, in which she plays a jewel-encrusted 1890s saloon hostess caught up with white slavers and escaped convicts. The part becomes her signature role.That same season, West opens a reworked version of The Drag, now called The Pleasure Man, with a heterosexual lead replacing the gay playboy of the original. Again authorities raid the theater, and the ensuing trial is a sensation. After 14 days of testimony, the jury cannot reach a verdict, and the charges are dismissed.Now West sets her sights on Hollywood. Within a few years, she is one of the biggest stars of the era, flaunting her sexual wiles in one hit picture after another. She and the Hollywood censors wage constant battles over the content of her scripts, and West adjusts her humor, replacing the directness of her earlier work with innuendo and double entendre that often escape the censors' notice. West's legacy is debated even today: she is hailed by some as a \"liberating influence on women's sexuality\" and decried by others for her overstated feminine persona. Her films remain available on video and in occasional theatrical release or broadcast.To learn more about Mae West, watch Hollywood Censored: Movies, Morality & the Production Code, the third film in the 4-part Culture Shock series. CLARA: I'll not listen. 153554b96e
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