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A soundtrack album is sometimes not released contemporaneously with its film. For example, when the composer chooses not to release music with the film, the soundtrack album is composed first, then the film is made, and the music is released after the film. This method of not releasing music along with a film was fairly common in the 1950s and 1960s, but has become less widespread as of the 2000s. Also, some films have not yet been recorded as of the 2010s.
As of the early 21st century, mostly rock, pop, or jazz is used as the main source material for film music. The film composer will use this material to create a suitable sound for the movie. The composer will usually write a theme song, which is presented during the movie trailers and promotional material, and many films end with a song that is not featured in the film itself. Sometimes the composer will write an original score to the film instead of using existing music, but when this happens the film usually has a more serious tone to it.
A soundtrack album is a recording of the music for a given film, as performed by a full orchestra or concert band. Though not always the case, a soundtrack album is most often released shortly after the film's release. Sometimes, there can be substantial time differences between the release of a film, and its soundtrack album. This can occur if a film is released before it has been recorded, or if the recording of the film takes a long time to be released.
A film score can be written for a specific film. This usually takes the form of an earlier draft of the score, which is sent to the producer or director for approval. The producer or director may or may not make changes to the score but will normally have a say in the final editing of the film, sometimes giving feedback on a musical scene or change that might improve the score or give a better match to the editing of the film. Once approval has been obtained, the composer's score is added to the film, replacing any earlier musical cues that may have been used previously.
Occasionally, a film score is commissioned for a specific film, and the composer is hired to write a score specifically for that film. This is usually the case when a composer is involved with producing their own film score, as opposed to a traditional composer. If the composer is a film director, they may be hired to write a score that will appear in the film, even though it was written beforehand. Stephen King provided a score for Stanley Kubrick's film Eyes Wide Shut, even though Kubrick didn't use his score in the film. Composers can also write a score for a film they have already made. For example, Howard Shore and Clint Mansell wrote the scores for Star Wars and Harry Potter and the Chamber of Secrets respectively, but only after they had made their own films. There have also been occasions where composers have written scores for films for which they were not the primary composer or director. In the example of Eyes Wide Shut, Kubrick hired a composer to write a score for the film, though he only allowed the composer to use a small amount of the film's original music as inspiration. The composer for the film was hired after Kubrick had decided to make the film, and was the second composer hired to work on the film. 827ec27edc